What we read

Jean Clouet, Portrait of a man holding a volume by Petrarch

I was thinking about the posters people encounter in public libraries everywhere. Specifically, the posters that show various authors, musicians, athletes, or film actors holding young adult novels and grinning under block letters that spell the word “READ.”

Encouraging people, especially kids, to read is as important as ever, but another issue that continues to grow in importance is this: how does the Internet change how newer generations should read? If we consider the popularity and interactivity of the Internet, people are reading—and writing—at extraordinary rates. It’s easy to view Internet browsing as consuming information rather than actually reading, but Internet use is a constant negotiation of stories, opinions, explanations, and dialogues. The generic concept of reading encouraged by schools and libraries has evolved into something that involves physical books but is not limited to them.

But here’s another crazy aspect of the explosion of text: as the Internet increasingly becomes the primary place where many people read, a person’s tastes and social personality become more and more reflective of things created or written about somewhere far away. The idea of local culture becomes altered by something other, a set of self-chosen reference points in our chaotic information galaxy. It’s a bizarre experience to read an article a website across the country has written about an artist in my own town.

One of the Internet’s many consequences is the possibility of getting overwhelmed by its possibilities to the point where it becomes more appealing to keep to just a few sources of information. Sidestepping the question of trustworthiness—whether my favorite sites are run by conspiracy theorists or are biased to the point of giving misinformation—a reliance on just a few sources can lock me in to a particular way of perceiving and thinking about the world. This possibility becomes dangerous, even if I acknowledge in the back of my mind that the Internet has more power to inform me than I could ever imagine. When reading, it becomes necessary to remember that anything written exists within an increasingly complex and interactive human world, to keep an open mind and a critical eye simultaneously.

Here’s why music matters: a piece of music allows its listener insight into the unique way its creators perceive their surroundings. Because no one piece of music can hope to tell us the whole truth about human existence, listening to music is a process of opening ourselves to new ideas and placing those ideas in a larger context, complicating and widening how we understand the world. The best music, I think, makes us feel emotions we never knew we could feel, instilling the sense that that music—or any work of art, or any writing—is but one of a near infinity of lenses through which we can examine the world around us. Then, music that challenges us, music that invites us to contemplate it, can help us sharpen the ways we read in a chaotic time.

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Spray Paint, Spock Fingers 7″

spock-fingers-sleeve-smallEven though it came out several months ago, I would be remiss not to mention this slice of minimal, formidable punk rock. The second 7” by this Austin, TX trio, Spock Fingers is the sound of a screeching force snapping out of its coiled restraints.

The title track, the faster of the two songs, lurches out of the gate with drums and bass, but it takes its time to morph from a spare but driving and catchy romp into a blast of hypnotic noise. The moment the band launches into full volume is awe-inspiring, massive but completely in line with the band’s minimal sound, a reminder that even three people can make a lot of racket. “Pink Pus,” on the flip side, is a grumbling dirge—heavy, noisy blues. I can understand the lyrics to these songs only about 35% of the time—I spent nearly an hour listening to the single just to determine if the songs had any FCC-violation words—but when the band is soaring through the music like a train tumbling into a canyon and you can hear the shouting of “Spock Fingers!” over and over, that doesn’t matter. This is rough, metallic, noisy energy.

That energy certainly transfers to their live show, as evidenced above in the video of “Spock Fingers” shot by Dump Footage. Another plus: it looks like Gerard Cosloy, co-owner of Matador Records, has listed this single as one of his favorite releases of 2012, hopefully a sign that this band will soon start getting the attention it deserves. Spray Paint for 2013.

Spock Fingers 7” is out now on S.S. Records.

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2012: 25 albums

Swans, The SeerYear-end countdown lists give me a headache. Yes, there’s something exciting about a well-executed “Top Albums of the Year” list. (“Will the new Beach House album beat out the new Grizzly Bear album? Tune in tomorrow to find out!”) But every time I try to write my own list, I end up telling myself I’m wasting my time.

To start with, no matter how much I try, I always feel ridiculous saying two great and very different albums are differentiable enough in quality to make one album the 17th best of the year and another the 18th best. At the same time, I’m always lamenting the dozens of other albums I know will be excellent listens but I haven’t gotten around to yet. Add to that the inherently limited and biased—whether by genre or region of the world or any other factor—roster of music anyone uses to create a list and…well, the list-making process starts to eclipse the wonderful acts of exploring the musical world evolving around us and saying, “Here are some artists that are really worth your time! Check them out!”

In any case, so many artists released amazing music that it’s no loss to present a mostly unranked list of 25 particularly great albums. Immediately below are four albums that proved to be so mind-blowingly good that I couldn’t help making a top four list just for them. But beyond that, I won’t get nitpicky. Happy listening, and happy New Year!

Album of the year: Swans, The Seer (Young God)

First runner-up: Frank Ocean, channel ORANGE (Def Jam)

Second runner-up: Lotus Plaza, Spooky Action At A Distance (Kranky)

Third runner-up: Tame Impala, Lonerism (Modular)

21 more fantastic albums:

The Boats, Ballads Of The Research Department (12k)

Bushman’s Revenge, A Little Bit Of Big Bonanza (Rune Grammofon)

Chromatics, Kill For Love (Italians Do It Better)

Circa Survive, Violent Waves (Circa Survive)

Cloud Nothings, Attack On Memory (Carpark)

Cold Specks, I Predict A Graceful Expulsion (Mute)

Mac DeMarco, Rock And Roll Night Club (Captured Tracks)

Gareth Dickson, Quite A Way Away (12k)

DIIV, Oshin (Captured Tracks)

Dirty Projectors, Swing Lo Magellan (Domino)

Bill Fay, Life Is People (Dead Oceans)

Gilded, Terrane (Hidden Shoal)

Liars, WIXIW (Mute)

Mirrorring, Foreign Body (Kranky)

Pinback, Information Retrieved (Temporary Residence Ltd)

Spiritualized, Sweet Heart Sweet Light (Fat Possum)

Andy Stott, Luxury Problems (Modern Love)

Thee Oh Sees, Putrifiers II (In The Red)

Various Artists, Oh Michael, Look What You’ve Done: Friends Play Michael Chapman (Tompkins Square)

Scott Walker, Bish Bosch (4AD)

Zammuto, Zammuto (Temporary Residence Ltd)

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